Composer, Writer & Broadcaster
These works include the Lowin Prize-winning Learning to Howl, and the Lowin Prize finalists Willow Songs and Last Words. They set to music words by Shakespeare and Sappho, Anne Stevenson and Robert Louis Stevenson, Judith Wright and Craig Raine.
Please click work titles for more information and resources (audio, sheet music, program note etc.) about individual works in this category.
Text:
Lorrie Moore, Sappho, Emily Dickinson, Christina Rossetti, The Kanteletar, Ian Munro, Ann Timoney Jenkin, Queen Elizabeth I, Emily Brontë, Wang Wei and Elizabeth Smart
First performance by Belinda Montgomery (soprano), Margery Smith (soprano sax, clarinet, bass clarinet), Daryl Pratt (percussion) and Marshall McGuire (harp); Eugene Goossens Hall, Sydney, 9 March 2003
An elaboration, more than an arrangement, of Epithalamium for tenor and violin (with bell). See also Epithalamium for tenor, flute and cello.
Text:
William Shakespeare, Act IV of The Tempest
First performance by Jenny Duck-Chong and Halcyon, 6 October 2007, Sydney Conservatorium of Music, Sydney
Arrangement of Epithalamium for voice and violin
Text: William Shakespeare from Act IV of The Tempest
First performance by Gerald English (tenor, Kathleen Gallagher (flute) and Sue-Ellen Pauslen (cello) Piper's Brook Vineyard, Piper's Brook, Tasmania, February 1994
Text: poem by Craig Raine
First performance by Gerald English, Gregory Hill and Peter Clarken, University of Tasmania, Hobart, 13 June 1987
Text: poems by Christopher Reid
First performance by Gerald English and the Seymour Group conducted by the composer, Broadwalk Studio, Sydney Opera House, 9 August 1986
1. Chanson d'automne (Verlaine)
2. La cloche fêlée (Baudelaire)
3. Being beauteous (Rimbaud)
4. Encore un chapelet ( Anon. 13th cent.)
5. Colloque sentimental (Verlaine).
Voice, melody instrument (can be played by clarinet, soprano, alto or tenor saxophone, violin or any other instrument), harmony instrument (piano, organ, guitar, vibraphone or accordion, or any combination); score includes percussion suggestions
Commissioned by Mini Dekkers with funds from the Music Board of the Australia Council
First performance by Marjanne Kweksilber (soprano), Mini Dekkers Trio, Concertgebouw, Amsterdam, Netherlands, 1 March 1987
Text: Three rondeaux and a motet, all anonymous, from 13th-century France
Commissioned by Poppy Holden, with funds from the Yorkshire Arts Association
First performance by Poppy Holden (soprano), Ian Mitchell (clarinet), Nic Shipp (percussion), Theatre-in-the-Mill, Bradford, UK, 30 November 1981