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Home / Compositions / Australian Aphorisms

Australian Aphorisms (2010–13)

14 minutes
for six solo voices

1. The Averted (Les Murray) - available separately

2. Death, an Ode (John Forbes)

3. At Night on the Beach (Judith Wright)

4. Sleep (David McCooey)

5. Spring (Maria Takolander)

6. The Highest Form of Love (Barbara Blackman)

7. Hear the Bird of Day (David Campbell) - available separately

Commissioned by Father Arthur E. Bridge for Ars Musica Australis, Barbara Blackman, The Song Company, Penny LeCouteur and Greg Dickson

First complete performance by the Song Company conducted by Roland Peelman, Canberra International Music festival, Albert Hall, Canberra, 17 May 2013

Buy/Hire Performing Materials Listen on SoundCloud

Program note

For years, as artistic director of the Song Company, Roland Peelman would gently nag me to compose a setting of Les Murray to go with all the others he’d commissioned for the group. By Murray’s final decade, he’d become (in my view) the greatest poet working in English, but I found him hard to put to music. When I finally lighted on something, it was a very short poem – a single sentence – called ‘The Averted’, inevitably yielding an equally short piece. I felt it needed companion pieces and so over the next few years composed more settings of aphoristic words by other Australian poets. There are seven in all, to words by John Forbes, Judith Wright, David McCooey, Maria Takolander, Barbara Blackman and David Campbell (in addition to Murray), and performers are encouraged to mix and match.

Texts

‘The Averted’

The one whose eyes
do not meet yours
is alone at heart
and looks where the dead look
for an ally in his cause.

                                    Les Murray

‘Death, an Ode’

Death, you’re more successful than America,
even if we don’t choose to join you, we do.

                                    John Forbes

At night on the beach the galaxy looks like a grin.

                                    Judith Wright

‘Sleep’

Sometimes
sleep is
a mansion;
sometimes
a hole
you pull
over yourself.

                                    David MCooey

‘Spring’

Things quicken with indefinable longing,
blackbirds frantic in the garden beds.

                                    Maria Takolander

The highest form of love is encouragement.

                                    Barbara Blackman

‘Hear the bird of day’

Hear, the bird of day
Stirs in his blue tree,
Fumbles for words to say
the things a bird might learn
From brooding half the night,
What’s matter but a hardening of the light?

Out of this seed of song
Discoursing with the dark,
Now in a clear tongue
Rises his lonely voice,
And all the east is bright.
What’s matter but a hardening of the light?

Mountain and brilliant bird,
The ram and the wren,
For each there is a word;
In every grain of sand
Stands a singer in white.
What’s matter but a hardening of the light?

                                    David Campbell

Acknowledgements

‘The Averted’ © Les Murray, 2006. From The Biplane Houses, published by Black Inc. Used by permission.
‘Death, an Ode’ © Estate of John Forbes. Used by permission.
Excerpt from ‘Rockpool’ © Estate of Judith Wright.
‘Sleep’ © David McCooey, 2011. From Outside, published by Salt. Used by permission.
‘Spring’ from the sequence ‘Seasonal’ © Maria Takolander, 2009. From Ghostly Subjects, published by Salt. Used by permission.
‘The Highest Form of Love’ © Barbara Blackman. Used by permission.
‘Hear the Bird of Day’ © David Campbell Estate, used by Arrangement with the Estate, c/- Curtis Brown (Aust) Pty Ltd.

Australian Aphorisms was commissioned by Father Arthur E. Bridge for Ars Musica Australis, Barbara Blackman, Janne Ryan, David Sidebottom, Penny Lee, Daphne Sivabramaniam, Penny LeCouteur and Greg Dickson.

Instrumentation: Choral

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