• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Andrew Ford

Composer, Writer & Broadcaster

  • Home
  • News
    • General news
    • Events
    • Audio & Video
    • The Music Show
  • About
    • Biography
    • High-resolution photos
  • Compositions
    • Stage
      • Opera
      • Children’s opera
      • Music theatre
    • Orchestral
      • Symphony orchestra
      • Orchestra with voice
      • Orchestra with solo instrument
      • Chamber orchestra
      • String Orchestra
      • Wind and brass
    • Chamber music
      • Strings
      • Winds
      • Brass
      • Percussion
      • Mixed instrumentation
    • Instrumental (solo and duo)
      • Piano
      • Strings
      • Wind
      • Brass
      • Percussion
    • Vocal
      • Voice and instrument
      • Voice and ensemble
      • Orchestra with voice
    • Choral
    • Radiophonic
    • Music for children
    • Arrangements
  • Writings
    • The Shortest History of Music
    • The Song Remains the Same
    • The Memory of Music
    • Earth Dances
    • Try Whistling This
    • The Sound of Pictures
    • Talking to Kinky and Karlheinz
    • In Defence of Classical Music
    • Speaking in Tongues: the Songs of Van Morrison
    • Undue Noise
    • Illegal Harmonies: music in the modern age
    • Composer to Composer
  • Performances
  • Contact
  • Show Search
Hide Search
Home / Compositions / Machnamh: ruminations on a tune by Seán Ó Riada

Machnamh: ruminations on a tune by Seán Ó Riada (2022)

9 minutes
for string quartet with or without didgeridoo

Commissioned by Owen J Conlan

First performance by the Australian String Quartet, William Mabo (didgeridoo), Australian Festival of Chamber Music, Townsville Civic Theatre, Townsville, Queenland, 28 July 2025

Buy/Hire Performing Materials Listen on SoundCloud

Program note

The title (pronounced ‘Mock-niv’) is an Irish word meaning ‘meditation’ or ‘rumination’, the subject of which, in this case, is Seán Ó Riada’s famous tune ‘Mná na hÉireann’ (‘Women of Ireland’). Machnamh was commissioned by Owen J Conlan in memory of his mother, Eva Gladys Conlan. He specifically asked for a piece that would demonstrate the diasporic journey of Ó Riada’s melody and of Irish culture in general. ‘It should be an Australian piece,’ Owen told me.

A.F.

Below, Owen talking about the piece.

Instrumentations: Chamber music, Chamber music - strings

Primary Sidebar

Latest News

How to commission a piece

7 August, 2026

Six Medieval Women

6 August, 2026

The Carnival of the Insects in Australia and the Netherlands

23 December, 2025

Follow Andrew

Newsletter

Get Andrew's quarterly newsletter sent to your inbox.

Subscribe

Copyright © 2026 · Monochrome Pro (Custom) On Genesis Framework · WordPress · Log in